Archive for the 'Music' Category

Is nothing sacred?

Tuesday, January 30th, 2007

First Joan Jett, now this?

According to Dlisted, Britney Spears is looking to cover Blondie’s “Atomic” on her next studio album. Surely I’m not the only one who sees what this is: A desperate grasp to regain relevancy and her stardom after trashing her image so terribly for the last few years. Britney, luv… it’s over. Call it a night and go out quietly. Please? Stay far away from my new wave / punk legends.. thank you.

Even if she could regain popularity it would be shortlived and not very profitable. Digital music sales have made her a dinosaur, she’d have to make around 13 awesome hot selling tracks just to recoup what they will spend on the production / marketing for her these days. In the digital download world the one track wonders are worthless.

This is something I discussed back in 2004 in my interview with Pat Thetic of Anti-Flag and he called it back then:

“And I understand that, but that means you have to write good music. You know Britney Spears, God bless her, she’ll be done. Because people will be like ‘alright downloaded the one song and I don’t care about the other 9 tracks of filler.’ You know, that’s our responsibility as musicians. If we can’t create songs that people want to hear, then fuck us, we’re not worth being around anyway.”

Just ask Justin Timberlake, “FutureSex/LoveSounds” has topped charts and been nominated for all sorts of awards but hasn’t made a dent in the sales numbers of 2002’s “Justified.” Or Christina Aguilera who’s last album barely made a whimper in the market compared to what she used to do. The market has changed and there isn’t room for people like Britney anymore, even if she could adapt and get her shit back together it would be too late.

I know we’ve ended at least one article on this site before with this quote but it keeps getting more and more relevant as time goes on:

“Dinosaurs will die and I do believe no one will cry. I’m just glad I’m gonna be, there to watch it fall.” - NoFX

Times have changed, and it’s going to take more than an overproduced cover single of an 80’s pop tune to bring the old days back, and frankly… a lot of us are glad to see them gone.

This Week in Things That Pissed Me Off! – 10/27/06

Monday, October 30th, 2006

So it’s fairly late at night and I am surfing the web when I get an email. Enclosed within is a message informing me that someone wishes to be my new friend at Myspace. Oh boy! Who is this mysterious person who I have never met who wishes to brighten my entire dark void that I call a life with pointless comments and as much of their unfunny banter as possible? I’ll tell you who this person is, its that crappy emo band that covers Whitesnake with trumpets, or that 13-year-old girl who dresses more slutty then a prostitute in the Dallas Cowboys locker room, or perhaps it is neither and maybe its just Tila Tequila.

Regardless of who the invite is coming from, its always the same motive, they only want to be listed at the top of the Internet popularity food chain. Well guess what? It’s the Internet, no one really cares about you, and sadly, the only reason people will accept these invites is to boost their own level of self-security and raise their level of Internet popularity by a few numbers. Plain and simple, I don’t care about your crappy band and the crappy music you put out, I don’t care about how sexed up you wish to be at the age of 13, and I most certainly don’t want to be your friend. Oh and to all of you 21 year old girls who dress slutty and want to be my friend, you need to stop too. I get enough scantily clad girls from the True adds that liter the screen every time I need to log on because a friend harasses me to comment on a new picture of theirs, if I want to see T & A I’ll download some porn. Please, this is the INTERNET for Christ sakes, lack of cloths isn’t as good as no clothes, and no clothes is even more accessible then a little bit of cloths, so please just stop.

Further more, to people who aren’t in the boat of winning the popularity contest, please stop showing off your crappy artwork and awful mini self-projects. Myspace is NOT a place to be artistic either, go and create your own web page to show this stuff off, I swear these people also most likely add a link to their Myspace account on job resumes nowadays to show off their work and what they are capable of. Finally, on a personal side note, stop sending out those retarded chain letter posts, no one is going to come back from the dead to kill you if you don’t continue to post them and true love won’t find you not because you didn’t send out a new bulletin, true love won’t find you because you never step away from you lousy computer screen.

Moving on, I was at the bar last weekend, and it was a fairly good time and everyone was having fun, and then what had begun to occur was possibly one of the biggest crimes against humanity that I have ever witnessed. A girl weighing in at 250+ got up on the bar top and started to dance. I swear to god, your not hot, you don’t have a good body, and no one wants to see your ass crack. If you are a fat girl, don’t show off your goods, no one wants to see that, and you know who I am talking to. Girls who weight under 115 pounds go crazy trying to lose weight to fit into a bikini, so why do girls weighing 215 have no trouble putting one on? Are they that delusional? Do their friends tell them that they are sexy and cute? If you are a fat girl, do not wear skimpy cloths, do not dance topless at bars, its that simple, you will make people throw up. I don’t see how this is such a huge issue today in America, but it happens all the time, its not something that’s an isolated incident, fat women think they are hot and dress as if they were 10 sizes smaller, please, this goes out to all those fat girls friends, tell them they are fat, tell them not to wear certain outfits, do not let them dance on bars when their pants will fall down, just say no to them, don’t worry about hurting their feelings because when someone calls them a beached whale, it’ll just be that much worse on them and you could have prevented it, I mean sure, fat chicks need love to but, that is why Thomas Edison invented the damn light switch.

To wrap this week up I will just be posting a very one sided online conversation this week between me and John.

Big Danny D: the batman
Big Danny D: the crappy cartoon on channel 11
Big Danny D: on Saturday mornings
Big Danny D: they are up to Clayface 2 already
Big Danny D: ON THE CARTOON
Big Danny D: I turned it on
Big Danny D: and they were actually calling him Clayface II
Big Danny D: and I was mad
Big Danny D: so very very mad
Big Danny D: because that shits pointless
Big Danny D: especially on a kids cartoon
Big Danny D: its just not needed
Big Danny D: like they REALLY messed up Clayface
Big Danny D: the show originally focused around batman and these 2 cops
Big Danny D: who were trying to get him and arrest him
Big Danny D: one of the cops, a guy, was Bruce Wayne’s college roommate
Big Danny D: and they were prominent characters
Big Danny D: and the cop who was Bruce’s friend…
Big Danny D: he became Clayface
Big Danny D: Clayface I
Big Danny D: which, ok, I’ll admit, it was cool
Big Danny D: he had a real back story
Big Danny D: u knew who he was
Big Danny D: and u felt bad for him
Big Danny D: cause he legitimately was a good guy
Big Danny D: who became a bad guy thru the torture of people on the street not accepting him
Big Danny D: he went insane
Big Danny D: now
Big Danny D: Clayface II
Big Danny D: was just some smuck
Big Danny D: who we didn’t know
Big Danny D: and they gave him a background story in 10 seconds
Big Danny D: and u got an evil clayface with no remorse, and a good Clayface
Big Danny D: I understand, the 2 Clayfaces of theater
Big Danny D: comedy/tragedy
Big Danny D: its dumb
Big Danny D: why?
Big Danny D: because its a kids cartoon
Big Danny D: and 12 year olds can’t understand this
Big Danny D: i hate when they switch shit up in comics
Big Danny D: but 10-15 years can warrant a change
Big Danny D: 2 seasons on a damn kids cartoon?
Big Danny D: its like the god damn power rangers, i hate that shit
Big Danny D: and even they were full time real actors who had to be paid and eventually want to move on in their careers
Big Danny D: this is a villain on a cartoon, taken from a pool of what? 60+ other batman villains
Big Danny D: who appears in the show once, MAYBE twice a season?
Big Danny D: were the writers that much out of ideas?
Big Danny D: they couldn’t come up with a new puzzle for the Riddler?
Big Danny D: or something with 2 sides for two face to steal?
Big Danny D: or an insane rampage with the joker thru the streets of Gotham?
Big Danny D: or did they just run out of giant birds for the penguin to steal from a zoo
John: haha
Big Danny D: the original batman animated series made it thru like 4 seasons with no problems, then went into justice league for Christ sakes
Big Danny D: they even gave robin teen titans
Big Danny D: so pissed off

Now go link this article to at least 15 people or you’ll be forced to sit through 1 episode of Perfect Strangers for each person under 15 that you don’t send this too.

This Week in Things That Pissed Me Off! – 10/20/06

Friday, October 20th, 2006

So there I am, watching Comedy Central when on comes a show that makes me literally want to rip my eyes out, Scrubs. Oh boy! As if we weren’t lucky enough to see the same 5 episodes of Mad T.V. re-aired over and over again that now I need to be force-fed this poor excuse for a sitcom with jokes that are so painfully unfunny that unless you were tripping out on acid you should have no reason to laugh at.

That brings me to my next question; why do people like Zach Braff? His whiny comedic antics are on par with that of a roller coaster flying off its tracks and killing hundreds in its wake, the man’s just not funny. Don’t get me wrong here either, I could understand if he was good looking, but the reality of the matter is that he just looks dirty and lazy. Are people really THAT bored that they’d pay to watch him on television and in films or are they just stupid?

Which leads me to The Marine…. Who on God’s green Earth even thought to say “John Cena isn’t exactly the most gifted wrestler in the WWE, so let’s give the man a movie deal.”

Now before I continue I just want to say that I’m about to give away a spoiler to this abysmal piece of art that will forever truly haunt the great archived classics of Hollywood. I’m going to be straight forward here, if you are really going to be upset by a spoiler of The Marine that means you actually want to see this movie, but have been too lazy to go, because this is simply a film that you go see opening week or you don’t go. That fact alone justifies me for spoiling this film for you, because you suck.

Back to the topic, in the film ‘The Marine’ John Cena portrayed an ex marine who was discharged from the military. Now even if you missed the high paced, action packed thrilling first 5 seconds of the film that created such an intriguing background story for the film that literally kept all 15 movie goers on the edge of their seats (probably ready to vomit and leave the theater), or were just a complete idiot and didn’t realize what movie it was that you paid to see, well don’t worry, there’s good news! John only mentions that he was a Marine all about five thousand times in the film. Seriously though, the man had 3 lines throughout the entire film that he had to constantly recite. It was like one of those old dolls with a pull string on the back, pull it for “I am a MARINE!”, “My wife was kidnapped!”, and “Oof!” Ok I guess we can’t really count the last line as an actual word. Of course however, to be fair to John, if his acting goal and directive was to try remain stiff and emotionless well then the man deserves an Oscar, because that was the best portrayal of a wood board I’ve ever witnessed. Oh and as for the ending? Well the entire film was your typical action film, wife gets kidnapped, bad guy double crosses another bad guy, the double crossed bad guy winds up being the cop whose been helping you out, etc. So you can easily take a wild guess as to how it ends.

Jon-Mikl Thor… Enough Said, look it up, moving on.

Sony, listen up. I don’t want a PS3, especially not for the $600 price tag. Oh wow, Blu-Ray DVD, whoop dee doo. Many people still have televisions that can’t differentiate the quality between VHS and DVD, why do we need an improved quality format? Was DVD really all that terrible? And are you really saving money buying a PS3 over a Blu-Ray player ANYWAY? Realistically? No your not, because chances are unless you were on line at a store at 7am last Monday waiting to buy a preorder, your going to be spending $2000+ on ebay for one. Honestly, this is beyond necessity and wanting, this is just stupid. Soon enough there will be a level of quality so precise that the human eye won’t be able to detect it and yet people will still believe that it’s a must. Further more, most of these games will be available on cheaper systems, sure their will always be the exclusive titles, but remember folks, graphics do not make the game, no matter how much you lie to yourself, it is the game play that keeps you coming back, the background story and characters that you learn to love and wait with anticipation of it’s sequels, not the flashy graphics and pretty pictures.

Back to the preorders. It is estimated that 75% of the preorders made are going straight to ebay, in fact many already made their way there. Some were removed, others not. Some for as high as the $2000 I mentioned earlier. Impressive? No, not really, quite sad actually that people feel the need to spend that amount of money of a product that will most likely collect dust. Even if you get a ps3 who are you going to play with? Chances are many of your friends won’t have it so friendly online play can be ruled out, have fun with the 12 year olds kicking your ass in one on one. Then of course if you pay the ebay price for it, how will you even afford games? How do people HAVE this kind of money to just toss away? People claim we’re in a depression and jobs are hard to find yet people are paying 2g for video games? Give me a break.

Finally, to round out the things that pissed me off the last two weeks, this past weeks Monday Night Raw had both Kevin Federline on, as well as Jackass and Wildboyz (It hurts me to even type that) stars Steve-O and Chris Pontius. Although K-Fed was booed without mercy, he did bring up a good point, that people are still buying his records and buying the magazines to read up on his life. STOP SUPPORTING HIM! I don’t care why people buy anything with his name on it or in it, even if it’s to make fun of him, stop, just stop it. That’s all I’m going to mention about him because if I say his name one more time, he will probably get a new record deal or something, simply cause he’s being mentioned on the internet.

As for Steve-O and Chris Pontius being on Raw, well, they wanted to get their asses kicked in a fight, which is fine, they’re stunt men who can’t make it big other then filming themselves getting injured in very comical situations. Its funny sure, and someone’s got to make this kind of comedy, but when one of them begins to actually have a successful career like Johnny Knoxville then its time to pull the plug. I wished I didn’t have to point this out, but if your claim to fame is having others throw bowling balls at your crotch then you DO NOT DESERVE to be put on the cover of GQ. Steve-O, Chris, remember these words I’m about to impart to you, keep on amusing us with your crazy stunts that no one else who is sane would ever do, but remember, we will never see you winning an academy award, so don’t try, because you won’t, if you were serious and even semi-decent actors, then you wouldn’t have to set your pubic hairs on fire for people to like you.

This is Big Danny D, and those were a few things that pissed me off this week.

Enjoy The Silence 12 - Rammstein Live!

Friday, July 15th, 2005

15th July 2005, a night that will be remembered evermore for me. I have just experienced a true assault on the senses, never have I been more blown away by a gig than I just have been. Rammstein whilst I have enjoyed many of their songs are not up there on my big list of favourite bands but they have always managed to strike a cord within me, the epic style of their musical range, the image they portray and how a band can from out and out aggressive Industrial Metal to some of the most mellow and beautiful music I’ve ever heard.

Tonight however was all about the former, this was Hardcore Rammstein, promoting their latest album Reise, Reise.

The build up was long, there was no support act for this gig, I’m sure anyone would have a task living up to Rammstein as I’d later find out. A camera crew were set up in the middle of the arena and the place went dark for around 10 minutes with some very sinister dark guitar play to entice the crowd. Soon a light beamed onto the stage and the silhouettes of the band members could be seen through the curtain and the crowd went insane! Still they kept us in suspense and did not appear for a few minutes longer until the lights went into strobe and the curtain dropped to reveal the most unbelievable stage I’d ever seen. If anyone has seen recent Star Trek shows and knows of the Borg that is what this looked like!

The main stage floor was overshadowed by an enormous mechanical structure with flashing neon lights rippling through it, the drummer and the guitar players stood atop of this and finally the lead singer Till Lindemann appeared through an opening in the center of this mechanical behemoth and the gig was under way as they powered onto stage with the song Reise, Reise. The entire spectacle of what I was viewing was getting to me by this point and I had to be quite careful not to show my friends that I was nearly crying, it was such an overwhelming entrance!

I hoped that the welling up would pass quickly but sadly for me it didn’t. Till Lindemann began to clap his hands above his head and the crowd duely followed as the opening marching sound to Links 2, 3, 4 was played through the sound system. I was nearly blubbing there and then but soon got into the swing of things and began to enjoy the spectacle.

A couple of songs later I was really into it and my eyes had well and truly dried up but this point, and if they hadn’t they soon would have anyway….

That’s when Feuer Frei was unleashed! One of the lead songs from the movie xXx and a badass track regardless, but the show with it was incredible. To accompany the chorus the band donned Flame Thrower masks, pretty amazing stuff! As well as the flame throwers on their faces, the pyro from the stage floor was pretty immense; makes the start of WWE Raw look weak! Similar action followed for the song Mein Teil with Till attempting to cook the keyboard player in a giant cauldron with his flamethrower. When he escaped the cauldron they attempted to bomb him with fireworks from the arena ceiling.

More tracks followed but it was when they began to performance one of my favourite Rammstein songs that things really picked up again. Du Riechst So Gut, one of their very first singles and one that I did not expect to be performed was next up and I was really pleased the stage show matched the quality of the song. Till this time donned cybernetic arms which again contained flame throwers and also got his hands on a bow & arrow that fired some impressive fireworks!

Other worthy notes go to classics Du Hast, Sehnsucht and recent single Amerika! The crowd was really pumped for Amerika, I couldn’t make up my mind if they were singing the song with Angst or joy but it was an awesome atmosphere nonetheless, which resulted in three streams of confetti being jetted out of the stage floor and into the crowd, and into the arena air, Red, White and Blue.

They said their thanks to the crowd and then left, but were soon back for the encore performing familiar hits such as the beautiful Sonne, Ich Will and the Depeche Mode cover ‘Stripped’ to make a fitting end to a mind-blowing night.
An visually and audible gargantuan, I would highly recommend seeing

Rammstein Live to anyone who was remotely likes their music, you’ll fall in love with it. Despite singing all the songs (except Stripped) in German, their music transcends the language barrier and I think takes something truly special.

Rammstein, we salute you!

9/10

Music ReView: Limp Bizkit: The Unquestionable Truth (Part 1)

Friday, June 3rd, 2005

Limp Bizkit has been on a crazy rollercoaster ride for the past few years. After Wes Borland (the group’s original guitarist) left the band in October 2001, Fred Durst (lead singer) went to Guitar Centers all over the country on a crusade to find a new axe-man. Instead, they found Snot’s Mike Smith at a bar and used him for their 2003 effort, Results May Vary. Fans flocked to the disc like a pair of sweaty gym socks and then, threw them away. Late last year, Borland came back and Smith was canned.

So what do you when the original gang is back together again? You write about it in your blog ofcourse. That’s what Fred Durst and all the cool 13 year-olds do. He used his online journal to explain to Internet fans his distaste for the media and how powerful the messages in Limp Bizkit’s new songs were. Additionally, after hacking into his personal computer, Internet fans got to view “The Fred Durst Sex Tape” (which would later be taken off all porn web sites after a lawsuit was filed). So, a couple of blog entries and a sex tape later, Limp Bizkit released their fifth studio album The Unquestionable Truth (Part 1).

Just like any other Limp album, they progressively become worse. From the opening guerilla ballad, “The Propaganda,” Durst shows his talent of rhyming words and failing miserably when he spits, “Wanted dead or alive is my profile/Hostile is the frame for my state of grace … Main attraction, fuck you in your pussy mouth/Cum again friend, now we got some action.”

The record gets slightly better. Although the next five songs have cheesy, yet difficult to understand messages, the rhythms are hard and furious. However, on the last track, “The Surrender,” it seems like Limp’s car ran out of gas. It’s like everyone gave a half-ass effort, especially Durst who starts the song off with an oxy moron as he whines (yes, whines), “Don’t label me a monster, I’m a monster just like you/Don’t label me a victim, I’m a victim just like you.”

The record consistently tries to mimic Rage Against The Machine and ironically, Fred Durst has stated in the past he hates posers and people who rip him off. In any event, The Unquestionable Truth (Part 1) only contains seven songs and lasts around 30 minutes. At least Limp Bizkit had the common courtesy to put fans out of their misery within a half hour.

This rollercoaster ride has come to a stop and I think I’m gonna be sick.

Limp Bizkit: The Unquestionable Truth (Part 1)
Rating: 1.75 stars out of 5
Record Label: Flip/Geffen Records
Official Website: LimpBizkit.com

Enjoy The Silence 11 - The Genesis of Modern Metal Music

Sunday, May 22nd, 2005

I’ve not been listening to Rock/Metal Music for as long as most on these forums, nor do I probably know as much about the genre as most either. But since I discovered one particular band I’ve never looked back in terms of my preferred choice of music.

Pre 1998 I listened to alot of Britpop, guitar bands like Blur, Oasis and the Stone Roses, and sometimes dabbled in hip hop with groups like the Wu-Tang Clan and the Beastie Boys. Metal music was a whole other world as far as I was concerned at the time. But mainly thanks to the Internet (old Napster we miss thee) I was able to broaden my horizons considerably, and best of all at no cost to myself! So I began listening to alot of music some of my friends had been talking about for so long that I simply didn’t touch because of my sheltered choice of music. That meant branching into Metal music.

Of course Metal is nothing new to the music industry and certainly wasn’t back in 1998. The great original Metal bands such as Black Sabbath and Iron Maiden has brought it to the fore, and a much more aggressive style had become more popular at this time also, bands such as Pantera, Slayer and Metallica (much earlier) had perhaps over-shadowed the old-guard into the latter years of the 90’s.

But out of the post-grunge era of the early 90’s, a new form of Metal Music was gaining momentum, later to be known as ‘Nu-Metal’. Nu-Metal perhaps forms the core of the majority of current Metal bands, if not straying from the root of the genre itself, but none do it better than the original Nu-Metal band, the grand-daddies of the Nu-Metal movement. I have 3 words for you…..

ARE YOU READY!

Much more of a declaration of war against the slower paced Grunge movement that threatened to kill Metal music, than a question in itself. 5 men with dreams to change the face of Rock music as we knew it broke out of Bakersfield, California with a message that defied you not to take notice. Brian, James, Fieldy, David and Jon formed the irrepressible KoRn.

I personally owe my taste in music to this band. No band did I feel a greater sentiment to in my teenage years than KoRn. “I Can see, I Can see, I’m going Blind”, it was so appropriate to what had happened to me musically, I was listening to the “in” choice of music but when I began listening to KoRn and other such bands I turned a blind eye to everything I knew regarding music. The song ‘Blind’ ironically opened my eyes up to everything that I had missed.

We all listen to our preferred Metal bands today but do we give any thought to how they came about? How there is even still an Industry for them to be part of? I’m not saying that KoRn are responsible for every Metal-touting band on the planet today but I’m sure there are alot, and KoRn certainly played there part in ensuring there is still an audience for these bands to reach out to. When I got to see KoRn live in 2001 in the Untouchables tour it vindicated everything I’d ever believed about this band. The whole ‘Fuck you’ attitude, the aggression in those Ibanez 7 strings and the tortured growl of Jon Davis’ vocals, everything was right, a real live performance.

Sadly with the recent departure of Brian ‘Head’ Welch leaves the band’s future in the balance and I only hope to god they will continue to innovate the industry for years to come. But if not, thank you KoRn for opening my eyes to so many more possibilities. Let’s just say I’m no longer a “Freak on A Leash”

Soundtrack to Life - “As The Footsteps Die Out Forever” (Part 2 of 2)

Sunday, February 27th, 2005

(Continued from part 1, which can be found here.)

Some folk never forget certain days. Where they were when they heard about JFK. How they remember 9-11. Me, I’ll never forget January 8, 2000.

Mom had a tendency to get ill once a year. When she did so, it was always in a big way. So, when she got sick this time around, we thought nothing of it. Similar symptoms, she’d had this before. She’d also wrenched her back at work, so she was essentially couchbound for the majority of the day. It had been a relatively cold day, Tim and Pat were at work, and I was busy chatting online. Pat came in rather suddenly, he’d gotten off early for work. He tried to call, but I was tying up the line. It was an annoyance for him then, but he’d soon realize that maybe it was for the best. He woke Mom up so she could get Tim. Something wasn’t right. She was talking about vivid dreams, and how she could have sworn one of Pat’s friends had gone to get him. He questioned her health, and as always, she insisted she was alright. She wasn’t herself though. Something was very off. Pat made her swear that she’d go to the doctor after picking up Tim.
“Okay, just let me go splash some water on my face.” she said. Pat and I exchanged worried glances, neither one knowing that those would be the last words we’d ever hear her speak.

A “thud” came from the bathroom, and after knocking with no response, Pat let himself in. He quickly told me to call 911 and tell them what had happened. I got off the phone with the dispatcher and wandered back in the vicinity of the bathroom. It was eerily silent. Then, words rang out that will never escape my memory.

“JOOOOOEEEE!!!! She’s not breathing!”

I ran to the phone, muttering something along the lines of “Oh Christ!” over and over again. I got the dispatcher back on the line and told them about the change in the situation. I grabbed a pair of boots and told Pat I was running for help. I barely noticed that the laces weren’t tied or the heaping amount of snow quickly filling the boots as I dashed across the yard to our neighbors, The Bertrams. They were at the door in a flash thankfully, and I told them of what was happening. Sally and Barry Sr. were there immediately. Sally and Pat kept tabs on Mom as Barry waited by the door. Myself, I ran to the bottom of the driveway, pacing back and forth and repeating “This can’t be fuckin’ happening.”, waiting for the ambulance to arrive. 5 minutes becomes an eternity when the life of a loved one hangs in the balance. A jogger trotted past with a bewildered look at the ashen-faced young man, barely dressed for the weather.

When the ambulance arrived, I cleared a path for the gurney, and then stayed in the kitchen as the EMTs, out of sight, attempted to resusitate my mother. I couldn’t watch. I couldn’t see her like that. It wasn’t right! They loaded her into the ambulance as we called our relatives. They were there promptly to take us to St. Joseph’s. I remember Sally hugging me and telling me I’d have to be strong, as if she already knew.

Waiting for the ambulance was hell. But sitting in that waiting room was even worse. Surrounded by loved ones, hoping for the best but fearing the worst. It was now right around 2 o’ clock. Dad would be leaving work soon. How were we supposed to contact him? All you can do is sit, wait, and hope for the best. The doctor’s arrival cut the tension, and as I looked up at him from my seat, I could read the expression on his face

“I’m sorry. We did all that we could…..”

Something shattered then. I remember hearing static and seeing things go gray. Perhaps this is how the mind deals with such things. I just hung my head. Just sat there, still, face to the floor but staring at nothing. All I could focus on was the fact that I wasn’t crying. The most important woman in my life was gone and I’d never see her again. Not one tear. Maybe it was my upbringing, I’m not wholly certain, but I couldn’t bring myself to cry. It’s a fucked up feeling knowing that this is where you’re supposed to emote and you just can’t do it. We gathered our stuff from our house, figuring that staying with the relatives tonight would be best. It was…. otherworldly. I just moved automatically, as if it was the next thing to do. Not thinking about what I was doing, just doing it.

I sat listlessly as my aunts discussed ministers and funeral homes. Suddenly, there was Dad. He burst into the room, bawling. He gave us all a big hug, and now was the time for me to finally break down. I’d never seen him like this, never before. This man had stood as a marble pillar in my life, never wavering. And yet, here he was, sobbing like a child. It really hit me then. Despite the war that had been going on for the past 6 years, he still loved her. In fact, his love for her was stronger than that any of us had. We were born with her a part of our lives, so we had to love her by default. My father, Michael Nichols, didn’t have that love thrust upon him. Of everyone in the room, he was the only one who had the choice of loving her, and he did. He chose to have this woman be a part of his life, just as she had chosen him to be a part of hers. Despite the rugged final years, by god, he still loved her.

The funeral was simply amazing, but I don’t think I’ve ever heard anyone complain about a slipshod funeral before. It just doesn’t happen I guess. People came from all around to pay tribute to this wonderful woman, and sympathy to the family she’d left behind. It was overwhelming. I saw relatives that I’d supposedly met when I was only knee-high, people who’d I’d never even known she’d touched in her life, and of course, all of our close associates; friends and family alike. It’s in times of crisis such as these that you learn who your friends are, and sure enough, I had a small gathering of my best and most loyal friends there. Being one of her sons, I had the privilege of carrying her to her final resting place….

It’s been 5 years now, and I can’t help but wonder what would be different if she were still with us today. I guess we all wonder these things about our lost loved one. Still, she was a cornerstone of my life. Would she be proud of where I am in life and who I’ve become? Would she support many of the decisions I’ve made along the way? What may or may not have happened if she were still alive and well? Well, I can tell you for certain, I wouldn’t be sitting here in the middle of the night, sans distractions and audience writing about her. And I know that despite this tragedy, it opened the door for the greatest experience of my entire life. But I’ll save that story for another time.

As I was saying earlier, people in this society don’t care much for emotional people anymore. In this society, it’s becoming a rule that nobody is allowed to get offended at anything anymore. PC, whiny, and emo are just a few of the tags given to those who have a distaste for certain humor that is supposed to be funny. Guess I fall into that category then. Never was a big fan of “Your Mama” jokes to begin with, and only one person ever dared cross that line with me after her death. I call this man “friend” and I nearly obliterated him in the school parking lot before he realized the thoughtlessness of the act. Yes, I’m a little touchy on the subject. Does it make me emo? Maybe. Does it mean I’m easily offended? Only cuz I choose to be. Does it make me a Momma’s Boy? You bet your ass.

I remember, before her service, the minister asked if anyone in the family had a final dedication to her, a song they’d like to sing at the wake. Had the rhythm not been so upbeat, and the vocals were notably more mellow, I probably would have done it. Every time I see this band live, every time they do this song, I go wild in the pit and wind up with tears in my eyes. It’s the only song that really comes to mind when I think of this amazing woman and the life she led. Because if there’s one thing she’d want, it would be that we not wait up for her.

“As The Footsteps Die Out Forever”
by Catch-22
She was diagnosed on a Friday,
the kids were almost home,
the kids were on their way back home from school,
lying face down in the gutter
of unaccomplished dreams and broken memories of things to come,
“Sorry ma’am, I really am. I had to break the news.
I had to make the phone call to tell you that you’re due,
you know where,
I’ll tell you when,
and I suggest you start living these next three weeks, the best way that you can.”

[chorus?]
Every night for three long weeks,
she’d roam the hallways half asleep
and as the footsteps fade away
in my mind, I could swear, I could swear, I heard her say:
“Don’t wait for me,
I’ve got a lot to do
I’ve got a lot to be
and in the end maybe I’ll see you there.”

Lost her strength on a saturday.
Spent the day in bed.
Yeah, I’m fine, it’s just the flu she said
with a smile, but when they turned their backs,
the tears would flow.
She knew she only
had a while to live
to breathe
to see
to be
to bleed
to stand on her own two weakened feet
“and so I pray everyday: don’t take my mother away”

Every night for three long weeks,
she’d roam the hallways half asleep
and as the footsteps fade away
in my mind, I could swear, I could swear, I heard her say:
“Don’t wait for me,
I’ve got a lot to do
I’ve got a lot to be
and in the end maybe I’ll see you there.”

Every night for three long weeks,
she’d roam the hallways half asleep
and as the footsteps fade away
in my mind, I could swear, I could swear, I heard her say:
“Don’t wait for me,
I’ve got a lot to do
I’ve got a lot to be
and in the end maybe I’ll see you there.”
And in the end you know i’ll see you there
and in the end i’ll see you there

“Don’t wait for me,
I’ve got a lot to do
I’ve got a lot to be
and in the end maybe I’ll see you there.”

Rest in Peace, Mom. From your loving son; Joe.

Soundtrack to Life - “As The Footsteps Die Out Forever” (Part 1 of 2)

Saturday, February 19th, 2005

Well well well. We’ve had our share of new comers to the board since the summer of 2003. Lotta new faces I’m seein’. So, lemme introduce ya to this little column you’re reading. This is Soundtrack to Life. What’s it about? Simple really. Music is a big part of this community, and tends to play heavily into most young lives. Face it, every now and then you’ll be listening to the radio or playing through your old CDs when you hear a particular tune and harken back to when you first heard it. Maybe you remember that summer. Maybe it reminds you of someone. Or maybe you can remember an exact instance in which that song was being played. Much like in the movies, a lot of events in our lives just wouldn’t be the same without that score in the background. That’s what this column is about. The memories we attach to our favorite songs. Though in the coming weeks, provided you keep an eye on this column, you’ll be reading about some of the stories from my life and what songs I’ve attached to them. Everyone is welcome however, to send in their own stories, so hopefully it won’t just be me prattling on every week. Past guest columnists include Aki, Hawaiian Bryan, and Mike-O. If you want to remain anonymous, that’s fine, but if you want your name known, then you will be given full credit for your story. I just ask for something of substance. I don’t want any “This one time, I was fuckin’ this chick, and we were listening to ‘The Minute Waltz’, and it was great.” Silly, dramatic, serious, I don’t care so long as it has considerable substance and discernable link between story and song. On that note, let’s begin.

——————————————–

Soundtrack to Life
“As The Footsteps Die Out Forever” by Catch 22
Momma’s Boy

The story I’m about to tell you is one I’ve never told before. Not to speech class, not to my friends, not in my blog, not even in my personal journals. It’s a world premier of sorts. See, I don’t like being an emotional guy. About the extent of my emotions I ever let show range from happy to pissed, that’s about it. I can’t really bring myself to discuss heavy emotion, especially in person. I do it mostly in my personal writings, and that’s it. Hell, I’ve never even yelled at anyone. Never cut loose. Raised my voice, and that’s about it. Then again, in this day and age, you’re hardly allowed those kinds of emotions. People don’t like emotional people. This story brings a lot to the surface. It’s a little long, so I believe I’m gonna have to do this in two parts.

I never liked playing excessively active games with the neighbor kids. As a result, I was a frequent subject to ridicule and taunting. When you’re young, you aren’t used to facing the injustices of the cruel world out there, so you demand things right themselves. For me, I was a bit of a tattle tale, and I always ran to Mom when the other kids picked on me. It earned me a nickname that you don’t want on the playground, not at that age, and especially if you’re a boy. Momma’s boy. I hated them for that label. Hated being called the Momma’s boy, and hated myself for knowing deep down that I deserved it. Today however, it’s a title I wear proudly.

Cynthia Ann Nichols was, in some aspects, what you’d call an ordinary mother. Great cook, loved to tend her flower and vegetable gardens, absolutely loved watching birds and coming up with ways to attract the rarer species into our backyard, and to a slight extent a Soccer Mom (yeah, I had soccer practice when I was younger, fuck off). Her knowlege of nature and plant life helped my brothers and I on numerous school projects, a lot of it I still carry with me today. All that and an excellent bowler and award winning pool player amidst the area leagues. It was always fun schooling my friends on the pool tables at the arcades and bowling alleys. Always when they asked how I learned to play, I’d tell ‘em my mom taught me. Skating, nature walks, mini-golf, whatever the adventure of the day, my mom led the expedition.

One could argue I get my sense of humor from her. Always quick with a bad joke. Her and my dad both. It’s probably the reason they got along as well as they did when they met. She’d laugh at her own jokes all the time, Leo women tend to do that, but she’d also come up with absolutely bizarre ideas. Who’d think to dump marbles in the shoes of their eldest son after he’d passed out drinking that evening? Monty Python, John Cleese, The Muppets, George Carlin, M*A*S*H*, Letterman; all comedy that we shared a fondness for.

Her battles of wits with my little bro were often a topic of conversation. She had her “My Son is Crazy” picture collection of Tim. Boy can make the goofiest damn faces you’ve ever seen. Not just the goofy faces naturally, but the odd things he’d do often made him a target for Mom’s camera. Sitting in cooking pots, hanging a bean bag chair off his head, lord knows how many bizarre haridos. And she kept them all. All the pictures that could conceivably be incriminating, all kept in their seperate file. She had to have some ammo against his non-stop barage of “old” jokes. The classic we always mention, is when she walked into the living room and stopped.
“How did I just forget what I was gonna do?” she asked.
“I’ll take Because I’m Old for $500, Alex.” he snapped back, and took off like a shot.

It was right about the time that I entered Middleschool that the war began however……

Pat, being the eldest son, was often singled out by Dad. Dad berated him for his failing grades and lax attitude toward school time and again. It hadn’t really been note worthy before, but his tirades were becoming more and more frequent for even more insignificant things. I think Mom knew all along and she just needed another set of eyes to bring the problem into light. Pat had begun studying the effects of alcoholism on families, and ours was a classic case. Pat was the Scapegoat, the one for which all things are to blame. Tim, my younger brother, was the Mascot, the one who tried to keep everyone looking at the lighter side of things through bizarre behavior. Myself, The Refferee, the one trying to maintain peace within the family. And there was my mom, left to face a harsh fact about the one she loved.

The next few years were turbulent, at best. I watched my peers turn on me for being a nice guy, and my family was falling apart at the seams. Before long, my parents didn’t even share a bedroom anymore. My dad took the bedroom, and my mother quietly moved to the living room. They’d never talk unless it was to exchange orders and demands. My father had become the beligerent tyrant, and my mother the peaceful nurturer. The whole household had sided with her, as it was obvious that it was Father with the problem. He fired back with his own accusations, but they held little or no relevance. She fought back in her own little way, leaving library books on alcoholism lying about, researching it on the internet and printing it out, sniping all the small shots she could without a full blown argument. I remember 7th grade being the gift exchanging part of the war. Mom and Dad, vying for our favor with gifts and trips. I know a lot of you probably wish you got this kind of attention. The diversions were nice, but it was tearing me up inside. Mom didn’t have to try. I believed her. I knew Dad had a problem. It hurts watching the ones you love attempting to defame one another. But still, I always knew, even if the worst happened and they got a divorce, my mom would always be there to watch over us. She was the one whom we’d wind up with.

From grade 6 to my senior year this war was waged. That makes 6 years. It takes a toll on a fellow. I hated the people at school for just being jerks to myself and my peers. And I hated going home every day, afraid that I’d walk into another battle. But, in 1999, the papers were being finalized. I hated to admit it, but it was for the best that my parents were getting a divorce. It’s not a healthy environment to grow up in. Pat fell deeper into depression and became an alcoholic himself, despite his complaints about how what Dad was doing was wrong. Tim had taken to his own experimental phase. And I refused to even touch anything that might wind me up like any one of them. And there I was, once again. The Momma’s Boy. I stayed away from the partying, usually kept to myself, and my mother and I would exchange snide comments about the mess going on in the basement. She was my only ally in that house, and we kept each other sane. The divorce was finalized as of December 31, 1999.

(to be continued…)

Shut up and Listen: A column at gunpoint

Thursday, February 17th, 2005

Howdy folks, it’s Bryan Bishop. Well, maybe I’m getting ahead of myself. “Howdy” wouldnt’ be fair to the people who consistantly read my column… I’m more popular in blue states and England. So scrap the howdy.

I was sitting at my desk, dozing in an out of sleep, occassionally waking to try and beat my pinball score, when Jeff Martin walked in, and began brandishing a gun at me. He’d been drinking heavily, as I could tell by the beer bottle he’d stuffed down the front of his chaps. Yes, chaps. His team had won at the rodeo, and afterward, it appeared he’d been making rather merry. On his stumbling walk back to his apartment, he’d broken into someone’s apartment to check his email, and seen I had not written my column. Needless to say, the furious Canadian made tracks to my dwelling…

So here we are. To quote the wierd Nazi guy from Raiders of the Lost Ark… what shall we talk about?

How about sampling?

A few years ago, Will Smith (a character actor who’s had a few minor roles in a few films) came out with an album. Yes, the man behind “Willenium” and “Wild Wild West” decided to give us another hit, this one “Miami”. You know.

“Party in the city when the heat is on!
All night on the beach ’til the break of dawn!
I’m goin’ to Miami… anna me o maggi aggi!”

Or something like that. Well, the song, like most music nowadays, featured… sampling. When some talentless yahoo needs to make a quick buck, he samples a song done by artists, shouts during it, and sells it. You can see this everywhere… Eminem totally raping Aerosmith’s “Dream On”, Piff Doobie or whatever you call him now DESTROYING “I’ll be Watching You” by the Police… but I have to thank Will Smith.

The song he samples is “And the Beat goes on” by Whispers, which contains one of the COOLEST backbeats in the history of cool backbeats, not to mention some okay lyrics (better than Will Smith wheezing like a pervert over the women of Miami, that’s for sure.

That’s why I’m inviting you to do me a favor. I want you to find the following songs, and compare them to the (real) music, which they sampled and totally screwed up.

“Miami” by Will Smith / “And the Beat goes On” by Whispers

“I’ll be Missing You” by Puff Daddy / “I’ll be Watching You” by the Police

“Out of Touch Techno remix by some asshole” / “Out of Touch” by Hall and Oates

“Men in Black” by Will Smith/ “Forget me Nots” by La Bouche

There, that should be enough. I’d seriously have more, but… yeah, Jeff’s getting antsy. Better keep moving.

I really don’t believe in structure, and this week has been a little rough, so I’m going to keep up this theme of music, since I’m on it. In fact… let me make a suggestion for your listening pleasure. And what’s the best way to do this? Why, plugging a CD of course. And best of all, these guys don’t sample… they make real music. The sort of stuff that rappers will be sampling years from now.

“Yoshimi Battles the Pink Robots” by the Flaming Lips came out in 2001 (or 2002, I dunno). The band is mildly successful, with a distinct sound that dooms them to obscurity in these days of crappy, manufactured rap or pop. (Drop it like it’s Hoooot, Drop it like it’s hoooot….). You probably best remember them (if you never picked up this CD) as the band that played “Bad Days” on the Batman Forever Soundtrack.

“Yoshimi” is an album that grows on you. I use iTunes, and futiley rate each song as I listen to it… most of the songs on this CD I’ve listened to 30 to 40 times in a little over a month, in addition to rating them during a spate of boredom. Check out these facts on the album:

Track One: Fight Test
Personal Plays: 38
Ranking: *****

A mellow batttle song if there ever was one. Forceful, strange, and wonderful. I suppose this tells the story of a young man who backed out of tough decisions, until there were no more decisions to back away from, and he realized he’d wasted everything. The last line… “The Test is Over… F.” says it all.

Track Two: One more Robot/ Sympathy 3000-21
Personal Plays: 42
Ranking: *****

Beautiful, eerie, transluscent in meaning. On the surface, it’s the story of a robot slowly becoming human. But beyond that, it speaks volumes on the nature of humanity itself.

Track Three: Yoshimi Battles the Pink Robots (1)
Personal plays: 30
Ranking: ****

The name says it all.

Track Four: Yoshimi Battles the Pink Robots (2)
Personal plays: 30
Ranking: **

An instrumental that just comes across as dorky and screechy. But better stuff is on the way…

Track Five: In the Morning of Magicians
Personal Plays: 30
Ranking: *****

An epic, to say the least. Not sure what its about (I don’t think it fits into the “concept album” handbag), but it’s definitely telling a story that is absolutely glorious. “In the morning I’m awake, and I could not remember/what is love and what is hate? The calculations entered…”

Track Six: Ego Tripping at the Gates of Hell
Personal Plays: 28
Ranking: ***

Slow, sexy, driving… not up to par with the song before it or after it, but still a hella cool song to play while driving around. Although a little wimpy at times.

Track Seven: Are you a Hypnotist?
Personal Plays: 41
Ranking: *****

A song about enigmatic people who play games with those of us who are paying them attention. Something wonderful, clouded.

Track Eight: It’s Summertime (Orange Throbbing Pallbearers)
Personal Plays: 41
Ranking: *****

Originally, my least favorite track on the album, now one of my most favorite songs ever. It’s a beautiful ballad about grief during a happy season… very close to heartbreaking.

Track Nine: Do you Realize?
Personal Plays: 33
Ranking: ***

A little hokey for my taste… but still beautiful to listen to, if not to think about.

Track Ten: All we Have is Now
Personal Plays: 32
Ranking: ****

A really cool song, about a man who is visited by himself… from the future. He learns his time is limited, and that all he has with the people he loves around him is… now.

Track Eleven: Approaching Pavonis Mons by Balloon
Personal Plays: 32
Ranking: ****

An instrumental to end things… a really cool, “we kicked ass” sort of feel to it. Definitely check this track out… you won’t be disappointed.

Well, while I await my free Flaming Lips memorabilia, it appears Jeff Martin has passed out. I’ll take this opportunity to sneak out before he wakes up… but let me leave you with a few passing words of wisdom….

“Drop it. Like it’s Hot.”
-Snoop Dogg

Conference With NOFX and Bad Religion

Wednesday, January 26th, 2005

A few months back MR representatives, John Morrison and Christine Bell got the opportunity to participate in a press conference with Mike Burkett, (Fat Mike), front man of punk band NOFX and founder/owner of indie label, Fat Wreck Chords; and Jay Bentley of the punk band Bad Religion.

For the sake of the reader, we have edited some of the conference. We have done our best to maintain the context of both the questions and answers to fairly represent Mike and Jay and ensure that their statements are not misunderstood or ’spun’.

Fat Mike of NoFXFor people that don’t know a lot about Warped Tour, and the meaning behind it, can you tell us something?

Mike: From behind the scenes, it sounds clichéd, but it’s punk rock summer camp. It’s the best time a band could possibly have, because your hanging out with 50 other bands everyday. There’s gambling and drinking and uh, barbecuing, yeah we drink beers or vodka. And you can’t have a better time, that’s why these bands keep doing the Warped Tour, that’s why it’s so successful, because the bands have so much fun. The other tours, it’s more about business. And even Kevin Lyman, the owner, he doesn’t make that much money, you know, he makes a living. But kids don’t get charged a lot, the bands don’t get paid a lot, it’s just a good time.

Why do you think Warped Tour succeeds where other tours, like Lollapalooza, fail?

Mike: Well first of all the line-up for Lollapalooza is terrible this year. Those head-lining bands are probably taking 250 thousand to 500 thousand dollars a night, where Warped Tour bands take between $200-$10,000; somewhere between there. Almost every band on the Warped Tour takes a pay cut to play the Warped Tour. But they do it because it’s fun and it’s cool. But the other bands on the other tours, they do it for the money and the promoters do it for the money. That’s why the prices are so high and that’s why it’s failing. I think the kids know that the Warped Tour is fun and the bands are having fun. I wouldn’t be doing this if it wasn’t fun. We’re here for us.
Jay: In our world of music, other tours that were out there folded, they couldn’t sell enough tickets to keep themselves going. This is the music that people who are buying tickets and buying records want to hear. This is, fortunately, a musical expression that speaks to them. I don’t know whether it’s the anger, the fear or just the over all sense of something exciting that gets people going. Speaking for myself, when I was 14, it was the fact that a band could speak to me about something other than girls. That was very important to me. I mean, it’s a 20 or 25 dollar ticket and there’s 50 bands….

Do you think that the reason there are so many more kids and so much more influence is because of mainstream punk bands like Good Charlotte and Blink182 that get radio play and get people into the scene?

Mike: Yeah, all those bands are helping a lot. Yellowcard, Ryan from Yellowcard announced Rock Against Bush: Vol. II, he said he’s going to be signing copies… and you know, suddenly there’s 500 kids at the Punk Voter booth buying this, because he said to. And, bands like Good Charlotte, Yellowcard and New Found Glory, they’ve all gotten tens of thousands of kids involved that we wouldn’t have gotten. So I’m all for it. They’re standing up, although Good Charlotte totally screwed me (laughs).

What do you think about the Sony BMG merger?

Mike: I have no idea, what’s BMG? I’ve heard of Sony but…

There are five major record labels now, and two of them are merging to become one, there are going to be four major record labels controlling 80% of the market, with only 20% independent.

Mike: They’re all going down, ‘dinosaurs will die’ I think all the major labels will get killed anyway. (editors note: “Dinosaurs Will Die” is a NOFX song about the death of the music industry)

What’s the best way to go, independent for everybody?

Mike: No, make you’re money now while you can, they’re all going down. You can only make money playing live for 95% of bands anyway. If you can sell a few hundred thousand records, you should go to indie.

What about Apple and iTunes and all of that, that is coming about now? You think that will save the music industry?

Mike: Downloading isn’t what is killing it, it’s people burning CD’s for each other… it’s so easy. Downloading is actually, well, kinda hard. I don’t do it. But you know, after losing three Nirvana Nevermind CD’s I finally burned one and kept one spare, so I wouldn’t lose it. That’s what’s killing it, it’s burning, it’s not downloading.

Is there a reason why Fat Wreck Chords isn’t on iTunes?

Mike: We’re working some agreement out, I don’t know why. We will be. I think it is a good service they do, I might get an iPod one day. But I don’t like music that much anymore.
(Editors Note: since this interview, most of Fat’s catalogue has been added to iTunes.)

Bad Religion and NOFX are two of the most successful punk bands, but you scarcely make an appearance on MTV or in a video, have you turned MTV down, or do they have no interest?

Mike: In the mid-nineties they wanted our video and we decided not to do it. It wouldn’t have made a difference anyway, we’re not a commercial band, that’s why we turned them down; it doesn’t make a fucking difference.
Jay: We made 20 videos and they were all terrible. It didn’t pan out for us.

Jay of Bad Religion Music has changed over the past 20 years. Do you think if you started out today you would be more mainstream?

Jay: We wouldn’t be very good (laughs).
Mike: Yeah, I think if we started out now we wouldn’t be very successful (laughs). The only reason people still like us is because…
Jay: That’s why we’re still here, there wasn’t much competition. This is just tenacity at work.

How do you think a band like Bad Religion has lasted so long with so little radio play?

Jay: Well we don’t make singles, so when a radio station starts to play our song it’s pleasantly surprising. I’m never disappointed because I figure no one is ever going to pay any attention to us, so yeah, it’s thrilling.
Mike: And the careers our bands (Bad Religion and NOFX) have had are so long, its ludicrous. We have no business doing what we’re doing…
Jay: At all! Come on hurry up!!! (laughs)
Mike: They’ve (Bad Religion) been around two years longer than us (NOFX)… When they say ‘we can’t do it any more’ we’ll say ‘ ok, we’ve still got two more years’ (laughs).
Jay: As long as we’re out here, you can still be out here. That’s a good rule.

What does college music mean to you guys?

Jay: Hootie and the Blowfish?
Mike: (laughs) R.E.M.?
Jay: Uhh… Phish. What’s with the Phish? College music is where we all got our start, believe it or not. Not that style of music! But college radio…
Mike: I started writing good songs in college.
Jay: I didn’t go to college, they wouldn’t let me….
Mike: No, but their (Bad Religion’s) singer, Greg Graffin went to enough college for everyone.
Jay: A ‘professional student.’
Mike: He still goes to college.
Jay: No he’s done, he got his PhD last year.
Mike: I did five and a half years of college… I was Bluto (laughs).
Jay: No, he (Greg) did like 11 years in college.
Mike: Wait until you try to get a job when you are out of college, boy are you in for a surprise!

What do you see yourself doing after this?

Mike: I’m loaded, I’ve got a record label (laughs). I’m fucking….
Jay: Yeah, after this tour… I’m going to [go to] my island and just do nothing.
Mike: He has an island….
Jay: Yeah, the Greek Islands, I have a giant bull…. oh wait, that’s not me. I live in Mattersville… that’s where I’m going, start building it now!
(Editor’s Note: “Mattersville” is a NOFX song about a fictional community of punk rock senior citizens)
Mike: Yeah, being on an independent record label in a punk rock band, we’ll probably get royalties for the next 20 years.
Jay: (laughs) I’ll do pretty well, I’ll stay in the business. I’ll manage his (Mike’s) bands, how’s that?
Mike: I’m going to have a career in poker. I’ve been killing it on this tour!
Jay: Yeah, he’s pretty good. He’s better than Mike Leonard. (yells) Fat Mike is better than Mike Leonard at poker!!!